History Happens At Night


Ursa Major (or Astrological Democracy)
Third Eye Blind - Ursa Major

Third Eye Blind - Ursa Major

THE ALBUM – Ursa Major
THE BAND – Third Eye Blind
RELEASE DATE – August 18, 2009

IN A NUT SHELL - After a Guns’ N Roses-esq wait, Third Eye Blind release an album that finally lives up to the promise of their 1997 debut.

“Ursa Major is the bear coming out of hibernation, hungry for spring, ready to feed and thrive.”

I was talking to my friend Yael a few days ago and put this all into perspective – the last time Third Eye Blind released an album I was in my freshman year of University. The last time Third Eye Blind released an album Yael was in High School…we were kids. It’s scary to think about. Life is going by quickly, it doesn’t feel that long ago, but here we are…

Yes, Ursa Major (originally titled The Hideous Strength) has been a long time coming, over six years in fact. And while many have forgotten about that dirty little band who sang about crystal meth and oral sex, the fanbase remains surprisingly (hideously?) strong. Luckily for those of us who stuck around, our faith has been rewarded.

Ursa Major is 3eb’s best album since their ‘97 S/T debut. I don’t think that is one of those Euphoric “I can’t believe I’m hearing new tracks” statements either. The album opens with Can You Take Me, a track that flex’s about as much muscle as Hulk Hogan slamming Andre The Giant. The guitar is heavy, the drums pound and the the lyrics are defiant and are full of the cocky Stephen Jenkins sneer that polarizes people. Those of us who love it will LOVE it…those of us who don’t weren’t really fans in the first place…

Third Eye Blind...Stoked for the new Astro Boy movie

Third Eye Blind...Stoked for the new Astro Boy movie

This isn’t to say that the album is full of boisterous Stephen Jenkins arrogance…almost to the contrary. Sure it creeps out in tracks like Don’t Believe A Word and Summertown, but in many cases the lyrics are a beautiful bummer. I’ve always thought that Stephen Jenkins is at his best when he’s at his worst… and it sounds like it may have been a rough six years.

“I confess that so far happiness alludes me in my life” he sings on The Dao Of St. Paul before the band builds into a beautiful slow burning finale reminiscent of Springsteen’s “My City of Ruin.”

While the album is not perfect (One in Ten is an especially bad track that may be the worst song the band has ever recorded) it does stand as a representation of a band at its peak. Hungry, excited to tour, a back catalog full of hits and an even deeper catalog of album cuts that fans love, a great new album and nobody to answer to but the faithful.

It’s a good time to be Third Eye Blind…it’s an even better time to be a Third Eye Blind fan.

Tracks To Check Out: Bonfire, Sharp Knife, Monotov’s Private Opera, Summertown, Don’t Believe a Word, Can You Take Me



Listen to the New York Dolls. Why? Cause I Sez So
The (New) New York Dolls

The (New) New York Dolls

When the New York Dolls reunited in 2004 I was one of the few people who was genuinely excited. The Dolls have always been one of my favorite bands, but their third album in their 30+ year history, One Day It Will Please Us To Remember Even This, surprised even me. I wanted it to be great, I was willing to give it the benefit of the doubt, but I didn’t have to. It was a great nod to the Dolls swaggering past without sounding forced, dated, or bad.

As excited I was about One Day… I was equally as concerned about the second Dolls V.2.0 album, Cause I Sez So. My theory was this – The problem with 2/5ths of the original line up soldiering on as “The Dolls” is that everything has to be completely up to par with their heyday. Every riff has to be as catastrophic as Johnnny Thunders ever delivered. Every lyric has to be a brash and cocky declaration. 

One Day… delivered, but could lighting strike twice for the reincarnated dolls?

One spin through Cause I Sez So and I discovered that my theory was mostly bull shit.

I was too busy thinking about how The Dolls could live up to their past to see that they’re not interested in that. Cause I Sez So is a step forward for the Dolls, an album nothing like its predecessors that finds the boys flexing their musical range, all while maintaining the cocky swagger that made them one of the greatest rock and roll bands of all time.

The (Old) New York Dolls

The (Old) New York Dolls

The closest thing you’ll find to the classic Doll’s sound is the one, two lead off combination of the title track and Muddy Bones. Both songs sound like they just stepped out of the 14th street station around midnight in 1973 Manhattan. They’re sloppy, loud and carry them selves with a strut that has to be heard to be believed. In many ways leading off with these tracks is a dirty trick, but perhaps a necessary consolation to long time Dolls fans who might be left scratching their heads for the next 40 or so minutes. The album quickly shifts gears and listeners are treated to ballads (Making Rain) R&B Shuffle (Nobody got no Business) Southern Fried Blues (This is Ridiculous) and Reggae (The much debated re-working of the Dolls classic “Trash,” originally released 36 years ago).

It’s different, but it all works, and most importantly, it all feels like the Dolls. Nothing feels out of place or forced.

When One Day… was released, it was common for people to say that “somewhere, Johnny, Billy, Jerry and Arthur are smiling.” With Cause I Sez So, the departed Dolls don’t even have to worry about it. David, Syl and company flex their musical muscle and see what they can do without tarnishing the legacy of the Dolls, quite the opposite, Cause I Sez So only serves to enhance the Dolls already impeccable reputation.

I’ll never doubt The New York Dolls again, but if this is their last hurrah, I’m not too worried. If they don’t come back, I’ll just call them on the Ouija Board.

The New York Dolls – Cause I Sez So Live

The New York Dolls – Trash (2009)



Downtown Owl: A Novel – or – The Duality of the Small Town Thing
November 26, 2008, 4:30 pm
Filed under: Books, Reviews | Tags: , , ,

Chuck Klosterman's First Novel hits close to my hometown

I Grew up in Truro, Nova Scotia, a town of about 12,000 people where things don’t happens. Highlights from my teenage years include rumors that Truro had the highest rate of Chlamydia per capita in the country (unproven) and a flood that destroyed the last arcade standing in the town.

As you can see, we’re not talking about the cultural mecca.

I can remember stories of drinking in the woods and boys from Belmont racing down the strips of road by the Debert Army Base. Edwin jeans and Dale Sr. Leather Ball Caps. Girls you’d never sleep with, music you’d never want to hear again, parties you’d rather have missed. Wondering how much everyone else knew about you (usually too much), and , of course, Football, football, football!

Our CEC Cougars; Our great hope for glory.

Our teams were never great, but if you asked one of the old men watching from the stands I’m sure they would have told you we could have taken the ‘76 Raiders.

This was the culture we cultivated. Generations of big brothers playing, followed by little brothers. Sons playing the same position as their fathers…nobody really sure why it mattered so much…only knowing that it did.

My home town. Full of pleasant people and homophobic town councillors. No place to really go…nothing to really do – a place some of my closest friends will spend their whole lives.

I have very little to say about you that’s good, Truro, but let me give it a shot.

Thank you Truro, if it weren’t for you I probably wouldn’t have enjoyed Chuck Klosterman’s new novel, Downtown Owl, nearly as much as I did.

Owl unfolds around three characters; Mitch Hrlicka, the third string quarterback who spends his time sleeping, thinking about sleeping and weighing out the odds on “who would win in a fight” scenarios, Julia Rabia is a fresh face in Owl who soon realizes there is nothing to do besides drink for free and fantasize about legendary (high school) football heroes of years and gone by, and Horace Jones, a seventy three year old widower who spends all his time in the local cafe drinking coffee and gossiping with the other old men in town.

Not only is this a brief character synopsis – this is the plot. The book, in a lot of ways follows the narrative pattern of Klosterman’s previous book, Killing Yourself To Live., You’re not reading this book for the (slightly ridiculous) destination, you’re reading for the journey it takes you on.

But if you weren’t there, beware.

Much like watching The Office becomes much funnier when working in an office, Downtown Owl is probably only really funny if you grew up in small town traps with small town culture.

Klosterman is an excellent writer. His observational insight on popular culture is second to none and his essays frequently leaves me in stitches. But I was worried about his talent as an author

In his last collection of work (IV), Klosterman included a short story that just didn’t seem very good to me. It was the equivalent to one of those throw away tracks that ends up on a band’s box set. Strangely, Owl generally follows the same kind of structure, no real narrative followed by outlandishness, only this time it works.

The book is not perfect, but it’s got enough going for it that even you city boys and girls will like it.

As for those of us who grew up in towns like Truro – This book nails down all the friends you forgot about, all the outlandish mythos you tried to forget and all the things you hated growing up, but love reflecting on.

To rip off Patterson Hood, Such is the duality of the small town thang.

Do yourself a favor, read the book.